Here's an almost 20-minute multi-faceted epopee from South Carolina percussionist and producer Tommy Embrich’s debut album.
The first part of the track concentrates on a pleasant universal slide, as if Satie edited Scriabin’s piano concert. At 5:30 the sound streams straighten and go into space rock endlessness with spiritual vibraphone lights, and the drums come in and run these enthralling streams back and forth. Tommy Embrich masterfully operates his rhythmic painting, the sound saturation gets the right percentage and, attaining access concentration, goes into a euphoric sound dance-flight a la Marco Beltrami meets Alice Coltrane. Just let the hidden thoughts appear and dissolve in the beauty of this superb experience.
